Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pitch

b. 643

composition: Op. 11, Concerto in E minor, Mvt I

..

In the majority of the sources, the bar is written with an octave sign, which was overlooked in EE1. The mistake was corrected in EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE

b. 644

composition: Op. 11, Concerto in E minor, Mvt I

..

In this bar, FE (→EE,GE1GE2) contains a few poorly justified cautionary accidentals – naturals before c3 and a1 (the 3rd quaver) and a  repeated before d​​​​​​​2 on the 4th quaver.​​​​​​​ GE3 removed the last two accidentals.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals

b. 649-650

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE, there are no sharps raising g2 to g2 (in both bars) and c3 to c​​​​​​​3 (in bar 649). In GE1 (→GE2), the first two were added; the notation in EE and GE3 is fully correct.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals

b. 651

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add a cautionary ​​​​​​​ before e4.

category imprint: Editorial revisions

b. 651

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE (→EE1), there are no cautionary naturals before g1 and g3; however, they were added in GE and, probably on the basis thereof, in EE2 (→EE3).   

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions