Issues : Accidentals in different octaves
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b. 307-310
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composition: Op. 11, Concerto in E minor, Mvt I
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In each of these bars, FE features a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 316-317
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, both the category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 350
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 352
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions |
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b. 357-359
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composition: Op. 11, Concerto in E minor, Mvt I
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At the beginning of bars 357 and 359, there are no sharps raising c1 to c category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , GE revisions , Annotations in FEH |
before the 1st semiquaver; however, in the further part of the passage, respective notes in other octaves are devoid of marks. These patent inaccuracies, most probably repeated after [A], were corrected in the remaining editions.
raising a2 to a
2 in bar 316 and the 
raising c
3 in bar 317 are missing. These patent inaccuracies, most probably repeated after [A], were corrected both in