Rhythm
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b. 123-125
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composition: Op. 11, Concerto in E minor, Mvt I
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The ties of the e bass note were added, certainly by Chopin, in the proofreading of FE (→GE,EE). In bar 124, opening a new line of text, in FE, there is no ending of the tie from the previous bar, which is a common mistake in the case of ties without influence on the understanding of notation. category imprint: Differences between sources |
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b. 125-126
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composition: Op. 11, Concerto in E minor, Mvt I
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An additional tie of e is almost certainly an arbitrary revision of EE. Chopin proofread FE, adding similar ties in the two previous bars; in spite of a minor inaccuracy in the implementation of that proofreading, there is no reason to assume that he then overlooked a tie in that place. category imprint: Differences between sources issues: EE revisions |
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b. 133
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composition: Op. 11, Concerto in E minor, Mvt I
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The g-e1 minim is devoid of extending dots in Atut. This patent mistake – e1 is, after all, extended to the next bar – was corrected already in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , FE revisions |
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b. 141
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), the dots prolonging the E-B minim were overlooked. The patent mistake was corrected in GE and EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors , Errors repeated in EE |
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b. 145-146
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composition: Op. 11, Concerto in E minor, Mvt I
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Due to a possible misunderstanding of the Chopinesque tie sustaining f1, in some sources the note is repeated – see the previous note. category imprint: Differences between sources |
