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b. 162

composition: Op. 11, Concerto in E minor, Mvt I

Crotchet e in FE (→GE,EE)

Minim suggested by the editors

..

Increasing the duration of the bass note only to a crotchet seems to be insufficient – the bass line is led uninterruptedly further until bar 168. In the main text, we replace this probably inaccurate notation with the one Chopin used in analogous bar 521.

category imprint: Editorial revisions

b. 170

composition: Op. 11, Concerto in E minor, Mvt I

Crotchet a in FE (→GE) & EE3

Quaver a in EE1 (→EE2)

..

The missing stem extending must be a mistake of EE1 (→EE2), corrected in EE3 most probably on the basis of comparison with analogous bar 525.

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 174

composition: Op. 11, Concerto in E minor, Mvt I

category imprint: Corrections & alterations; Source & stylistic information

issues: Authentic corrections of FE

b. 181

composition: Op. 11, Concerto in E minor, Mvt I

..

The fact that is to be held is marked in FE (→GE) through an additional stem and extending dot for the 4th semiquaver. In further bars, Chopin already applies the notation with tie; therefore, in the main text, we adopt this more exact notation also in this case (similarily in bar 537). In EE1 (→EE2), the note was not held, which was corrected in EE3, most probably on the basis of comparison with the respective bar of the recapitulation.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Errors in EE

b. 182

composition: Op. 11, Concerto in E minor, Mvt I

Dotted crotchet in FE (→EE) & GE3

Crotchet b in GE1GE2)

..

The missing extending dot of must be a mistake of GE1 (→GE2), corrected in GE3.

category imprint: Differences between sources

issues: Errors in GE , GE revisions