Issues : GE revisions
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b. 25-28
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composition: Op. 11, Concerto in E minor, Mvt I
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The range of the slur of Atut is unquestionable, although it reaches neither the first nor the last note of the phrase. However, in FE, the ending of the slur was reproduced incorrectly; in GE, attempts were taken to correct it. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , GE revisions |
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b. 26-27
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut and GE3, the chords in the L.H. are written in an abbreviated manner in these bars, as minims with quaver tremolos (a similar situation in bars 28-35). This notation provoked a misunderstanding concerning the articulation of these chords – see the note in the previous bar. category imprint: Differences between sources issues: GE revisions , Abbreviated notation of A |
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b. 28-38
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composition: Op. 11, Concerto in E minor, Mvt I
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In bars 28-35 and 37-38, Chopin used in Atut an abbreviated notation of the repeated quavers. In FE (→EE,GE1→GE2), the abbreviations were explained, like in our system. In bars 28-35, identical abbreviations were re-introduced in GE3. According to us, this compliance is accidental, which is supported by the fact that the notation in bars 37-38 differs – Chopin would use abbreviations to minimise writing, whereas the primary aim of the engraver of GE3 was to save space. category imprint: Differences between sources issues: GE revisions , Abbreviated notation of A |
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b. 29
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composition: Op. 11, Concerto in E minor, Mvt I
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The change of the staccato mark from a wedge to a dot is a frequent revision (inaccuracy?) of GE in this Concerto and other works published by Kistner – cf. e.g. bar 92. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 33
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the dots prolonging the F category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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