Issues : Abbreviated notation of A
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b. 26-27
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut and GE3, the chords in the L.H. are written in an abbreviated manner in these bars, as minims with quaver tremolos (a similar situation in bars 28-35). This notation provoked a misunderstanding concerning the articulation of these chords – see the note in the previous bar. category imprint: Differences between sources issues: GE revisions , Abbreviated notation of A |
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b. 28-38
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composition: Op. 11, Concerto in E minor, Mvt I
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In bars 28-35 and 37-38, Chopin used in Atut an abbreviated notation of the repeated quavers. In FE (→EE,GE1→GE2), the abbreviations were explained, like in our system. In bars 28-35, identical abbreviations were re-introduced in GE3. According to us, this compliance is accidental, which is supported by the fact that the notation in bars 37-38 differs – Chopin would use abbreviations to minimise writing, whereas the primary aim of the engraver of GE3 was to save space. category imprint: Differences between sources issues: GE revisions , Abbreviated notation of A |
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b. 67
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the quavers of the middle voice are written as a quaver tremolando. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 76
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the quavers in the middle voice are written as a quaver tremolando. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 91-92
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the repeated quavers in the L.H. are written in both bars in an abbreviated manner as minims with tremolos. The same applies to the bottom voice in the R.H. in bar 91. category imprint: Differences between sources issues: Abbreviated notation of A |
