Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Articulation, Accents, Hairpins
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Articulation, Accents, Hairpins

b. 521

composition: Op. 11, Concerto in E minor, Mvt I

Short accent in FE (→GE,EE)

Long accent suggested by the editors

..

A syncopation in a cantilena phrase is a typical place for a long accent, which is confirmed by the analogous bar in the exposition (bar 166). Therefore, we consider the accent in the sources to have been inaccurately reproduced.

category imprint: Editorial revisions

issues: Long accents

b. 550

composition: Op. 11, Concerto in E minor, Mvt I

No mark in FE (→GE<EE1EE2)

Accent in EE3

Accent suggested by the editors

..

In the main text, we add an accent over the syncopated chord after bar 195. The mark was added also in EE3.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 551

composition: Op. 11, Concerto in E minor, Mvt I

No mark in FE (→GE,EE)

Accent on g2 suggested by the editors

..

In the main text, we add an accent over the 1st semiquaver after bar 196.

category imprint: Editorial revisions

b. 554

composition: Op. 11, Concerto in E minor, Mvt I

No mark in FE (→EE,GE1GE2)

Wedge in GE3

Wedge suggested by the editors

..

In the main text, we suggest a wedge over the 1st semiquaver after bar 550 and 552 – cf. the adjacent note. The mark was added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 554

composition: Op. 11, Concerto in E minor, Mvt I

No mark in FE (→GE,EE)

Accent suggested by the editors

..

In the main text, we add an accent over the syncopated chord after bar 199.

category imprint: Editorial revisions