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b. 637

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 638-640

composition: Op. 11, Concerto in E minor, Mvt I

No marks in FE (→EE1)

Accents in GE & EE2 (→EE3)

..

The missing accents is almost certainly an oversight of the engraver of FE (→EE1) – bar 638 opens a new line of text, which would often cause distraction and defects of various kind.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 639

composition: Op. 11, Concerto in E minor, Mvt I

g2 in FE (→EE)

b2 in GE

..

The b2 note, featured in GE as the 4th quaver of the bottom voice, is either the original version or, which is much more likely considering analogous bar 623 and 627, a Terzverschreibung error. The traces of proofreading visible in FE prove that the version was initially present also in this edition, but it was changed in the last phase of proofreading.   

category imprint: Differences between sources

issues: Terzverschreibung error , Authentic corrections of FE , Errors repeated in GE

b. 639

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

category imprint: Differences between sources

issues: EE revisions

b. 641-644

composition: Op. 11, Concerto in E minor, Mvt I

Four-bar slur in FE (→EE)

Slur in bars 643-644 in GE1 (→GE2)

Two-bar slurs in GE3

..

The visibly incomplete slurring of GE1 (→GE2) probably reflects one of the original versions of the slurs in FE, changed then in the last phase of proofreading. The slur added in GE3 constitutes a natural addition, in particular in the face of the authentic slurring of six previous bars.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions , Authentic corrections of FE