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b. 562
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composition: Op. 11, Concerto in E minor, Mvt I
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The majority of the sources include naturals before the b1 and b2 notes. It is difficult to say what made Chopin write them – the only alteration in the vicinity of those notes is b category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 563
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), this bar is written without cautionary accidentals. In GE, naturals were added before b3 and a3 as well as category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 564
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), there are 4 cautionary accidentals in this bar: naturals before g3, b2 and e2 as well as a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 564-565
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composition: Op. 11, Concerto in E minor, Mvt I
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The separation of the slurs over the barline probably results from lack of space – in GE, the slur in bars 565-566 did not fit over the notes and was led at the bottom, which forced a break of the slur. category imprint: Differences between sources issues: GE revisions |
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b. 565
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are cautionary naturals before d2 and b2 – both unjustified. In GE, naturals were added before a1 and e3, while in EE1 – before a2. In EE2 (→EE3), the version of EE1 was completed with both naturals added in GE, most probably after a comparison with GE1 or GE2. In the main text, we omit the naturals present in FE; in turn, we include all the remaining ones. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |