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Op. 11, Concerto in E minor, Mvt I

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b. 516

composition: Op. 11, Concerto in E minor, Mvt I

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In the main text, we omit the cautionary  before c3, present in all sources except GE3. In the same group of sources, there is no  before d​​​​​​​2, which we do not consider a mistake, since the first part of the roulade is written there with the use of an octave sign, so that the  before the 2nd semiquaver may be considered valid also here.

category imprint: Differences between sources; Editorial revisions

issues: Accidentals in different octaves , GE revisions , Cautionary accidentals

b. 517

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 517

composition: Op. 11, Concerto in E minor, Mvt I

No mark in FE (→GE,EE1→EE2)

Long accent in EE3
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In EE3, the long accent was added most probably after analogous bar 162. In the main text, we generally preserve differentiated indications in exposition and recapitulation, since both sets of indications may be considered to be complete. 

category imprint: Differences between sources

issues: EE revisions

b. 517

composition: Op. 11, Concerto in E minor, Mvt I

Short accent in FE (→GE,EE)

Long accent suggested by the editors
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In the main text, we give the mark the form of a long accent after analogous bar in exposition (bar 162). There is a similar situation in bar 521.

category imprint: Editorial revisions

issues: Long accents

b. 519

composition: Op. 11, Concerto in E minor, Mvt I

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In the main text, we add a cautionary ​​​​​​​ before d2.

category imprint: Editorial revisions