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b. 514
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the wedge added in GE1 (→GE2). Omission of the mark in FE – cf. wedges in the analogous bar of exposition (bar 159) and similar bar 510 and 516 – could have been a result, unintended by Chopin, of proofreading the pitch and rhythmic text of the L.H. in this bar. category imprint: Editorial revisions |
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b. 514
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a slur over the initial motif of the theme, which is not encompassed with a slur only in this place (cf. bar 25, 29, 155, 159 and 510). An identical slur was added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 515
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, the absence of a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , No pedal release mark |
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b. 516
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composition: Op. 11, Concerto in E minor, Mvt I
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The lack of staccato dot in GE is surely an oversight. category imprint: Differences between sources issues: Errors in GE |
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b. 516
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composition: Op. 11, Concerto in E minor, Mvt I
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An earlier beginning of the slur in GE3 could have seemed to be justified considering the lack of staccato dot. category imprint: Differences between sources issues: GE revisions |