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b. 482-484
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are no accidentals before the 7th semiquaver in the L.H. in bar 482 and the penultimate semiquaver in the R.H. in bars 483 and 484. Therefore, those notes should be interpreted as f and f1, which would interfere with the regularity of the figuration, undoubtedly intended here by Chopin. The first two oversights were corrected in GE and in EE2 (→EE3), probably on the basis thereof. The mistake in bar 484 remained uncorrected in all editions. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in GE , Errors repeated in EE |
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b. 483
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composition: Op. 11, Concerto in E minor, Mvt I
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The category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 484
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 486
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we suggest the slur written by Chopin in analogous bars 1-2. The absence of any kind of slurs in the first 11 bars of the recapitulation is a proof of inadvertence of the engraver (or perhaps of Chopin himself). A similar addition was introduced in EE; however, in that case it was the entire first bar that was encompassed with a slur. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 486
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composition: Op. 11, Concerto in E minor, Mvt I
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In the sources, the solo piano part stops at the end of bar 485, since entire bar 486, the 1st chord included, is written with small notes as belonging to the orchestral part. It must be a mistake, hence we add a natural ending to the figurations of the solo part. category imprint: Editorial revisions issues: Errors in FE |
raising g1 to g
1 (the 9th semiquaver of the bar), overlooked in 
before the next note, i.e. g1. 
