mUltimate Chopin

Op. 11, Concerto in E minor, Mvt I

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b. 471

composition: Op. 11, Concerto in E minor, Mvt I

 before 3rd beat in FE (→EE,GE1→GE2)

 at end of bar in GE3
..

The pedalling of GE3 could be possible, cf. the Scherzo in B​​​​​​​ minor, op. 31, bars 334-335 and analog., but in this case, there is no reason to doubt the authenticity of the  mark in the remaining editions.

category imprint: Differences between sources

issues: GE revisions

b. 471-486

composition: Op. 11, Concerto in E minor, Mvt I

..

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b. 474

composition: Op. 11, Concerto in E minor, Mvt I

 in FE (→EE)

 in GE1 (→GE2)

No sign in GE3
..

In the main text, we reproduce the ​​​​​​​ hairpin on the basis of FE (→EE). However, according to us, the mark applies to both hands, namely to the sequence of semiquavers beginning particular groups (there is a similar situation in subsequent bars). It was most probably the engraver of GE1 (→GE2) that reversed the mark, whereas in GE3 its absence can be explained by an oversight.

category imprint: Differences between sources

issues: Errors in GE

b. 474

composition: Op. 11, Concerto in E minor, Mvt I

..

The cautionary natural before a is present only in GE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 475-476

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE
..

category imprint: Differences between sources

issues: EE revisions