b. 447-448
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composition: Op. 11, Concerto in E minor, Mvt I
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The inaccurate notation of FE does not clearly reveal whether it is a new slur that begins in bar 448 or whether it is a continuation of the previous one. Both interpretations may be considered justified, both from the source (graphic) and musical points of view. In the main text, we adopt separated slurs due to a four-note section beginning in bar 448. The missing slur in EE in bars 446-447 must be a mistake. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE |
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b. 447
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composition: Op. 11, Concerto in E minor, Mvt I
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The last reminder of the characteristic, strictly schematic fingering, written in FEH on a number of occasions in the previous similar figures. category imprint: Differences between sources |
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b. 448
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composition: Op. 11, Concerto in E minor, Mvt I
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As in analogous bars 452, 456, 458 and 460 the passage in the L.H. is encompassed with a slur, in the main text we suggest adding a slur also in this place. Such a slur was added already in EE as well as in GE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 448
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composition: Op. 11, Concerto in E minor, Mvt I
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The only digit written in FEH must determine the same fingering that Fontana indicated in EE in a slightly more detailed way. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 448
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composition: Op. 11, Concerto in E minor, Mvt I
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The digits added by Fontana specify hand position changes resulting from the fingering indicated in print by Chopin. category imprint: Differences between sources issues: EE revisions |