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b. 107
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composition: Op. 11, Concerto in E minor, Mvt I
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In the sources, the sharps are placed also before f category imprint: Editorial revisions |
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b. 110
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the rhythmic value of the d category imprint: Graphic ambiguousness; Differences between sources issues: Rhythmic errors , FE revisions , Inaccuracies in A |
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b. 110-111
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composition: Op. 11, Concerto in E minor, Mvt I
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When interpreted literally, the ending of the slur in Atut does not go beyond bar 110, which was considered an inaccuracy in FE (→GE,EE). In the main text, we include the literal interpretation, since the beginning of bar 111 is the overlap between two phrases, whereas the momentum with which the new phrase enters undoubtedly overshadows the delicate ending of the previous one. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A |
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b. 111-114
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut (→FE), the slurring of the bass motifs is less accurate here than for the first time (bars 99-102) – the slur encompasses only the quavers in bar 111. According to us, it was caused by the fact that bar 111 is the last one on a page of Atut – while finishing that page, Chopin entered a slur under the part of motif he saw and, due to haste, forgot about the slurs on the next page. It also seems that the slur encompassing the first 3 quavers was the original idea – the shape of the slur in bars 99-100, written first, suggests that Chopin decided to lead it further, to the crotchet, only at the moment of writing it. Taking that into account, in the main text, in bars 111-114, we suggest such slurs as in analogous bars 99-102. In GE and EE, the shorter slur in bar 111 was kept and a similar one was added in bar 113. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 111
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the first third in this bar is provided with two staccato marks – a dot under the notes and a wedge over them. Chopin perhaps put the second mark sometime after the first one, which he did not notice when reviewing the manuscript. However, it is uncertain which of the marks was "first." In the main text, we decided to put the wedge, more frequently used by Chopin in that period of his life in similar situations. In FE (→EE), there is a dot, which was probably overlooked in GE. category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Wedges |
1 and f
