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b. 91-92
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the repeated quavers in the L.H. are written in both bars in an abbreviated manner as minims with tremolos. The same applies to the bottom voice in the R.H. in bar 91. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 91
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , Cautionary accidentals , FE revisions , Inaccuracies in A |
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b. 92
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE1 (→GE2), the accent over d category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 92
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composition: Op. 11, Concerto in E minor, Mvt I
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The pronounced wedge written in Atut (→FE→EE) was reproduced in GE as a dot, which is a typical revision (inaccuracy?) of these editions. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 92
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary category imprint: Editorial revisions |
is written only next to the minim in the top voice. This patent inaccuracy was corrected already in 
before c
2 in this chord, present in all sources, is also noteworthy; it is unjustified in this context (omitted in the main text).
mark (long accent?), starting already over c
