mUltimate Chopin

Op. 11, Concerto in E minor, Mvt I

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b. 501

composition: Op. 11, Concerto in E minor, Mvt I

​​​​​​​ in GE3

​​​​​​​suggested by the editors
..

The fact of assigning ​​​​​​​ to the 3rd beat must be a result of misunderstanding the notation of [A] ​​​​​​​– see bar 16. The version of GE3 is a result of a complex, arbitrary revision modifying dynamics – here and in bar 15 and 19 – on the basis of dynamics of the orchestral part, written down in FEorch (→GEorch). 

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Centrally placed marks

b. 502

composition: Op. 11, Concerto in E minor, Mvt I

No marking in FE (→EE,GE1→GE2)

in GE3
..

​​​​​​​ is an arbitrary revision in GE3, as in analogous bar 17.

category imprint: Differences between sources

issues: GE revisions

b. 505

composition: Op. 11, Concerto in E minor, Mvt I

..

The missing  must be considered a defect, since according to FEorch (→GEorch), the chords are performed by the entire orchestra in  or ​​​​​​​ dynamics. 

category imprint: Editorial revisions

b. 507

composition: Op. 11, Concerto in E minor, Mvt I

..

In the main text, we add cautionary naturals before the c-c1​​​​​​​ octave.

category imprint: Editorial revisions

b. 514

composition: Op. 11, Concerto in E minor, Mvt I

No slur & dots in FE (→GE,EE)

Slur & dots suggested by the editors
..

In the main text, we suggest adding a slur and dots after analogous bar 159. Missing performance indications could have been a result, unintended by Chopin, of a serious proofreading covering the beam and pitch of the 1st quaver (visible traces of changes in FE).

category imprint: Editorial revisions; Corrections & alterations

issues: Accompaniment changes , Authentic corrections of FE