b. 514
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we include the wedge added in GE1 (→GE2). Omission of the mark in FE – cf. wedges in the analogous bar of exposition (bar 159) and similar bar 510 and 516 – could have been a result, unintended by Chopin, of proofreading the pitch and rhythmic text of the L.H. in this bar. category imprint: Editorial revisions |
||||||
b. 514
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we add a slur over the initial motif of the theme, which is not encompassed with a slur only in this place (cf. bar 25, 29, 155, 159 and 510). An identical slur was added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
||||||
b. 515
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In FE, the absence of a mark, ending the pedal depressed at the beginning of bar 514, must be considered an inaccuracy in this context. The mark was added in GE and EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , No pedal release mark |
||||||
b. 516
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The lack of staccato dot in GE is surely an oversight. category imprint: Differences between sources issues: Errors in GE |
||||||
b. 516
|
composition: Op. 11, Concerto in E minor, Mvt I
..
An earlier beginning of the slur in GE3 could have seemed to be justified considering the lack of staccato dot. category imprint: Differences between sources issues: GE revisions |