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Issues : Authentic corrections of FE
b. 63-65
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A (→GE) the sustaining of notes d flat with the hand is marked only in bar 64. When proofing FE (→EE), Chopin decided to extend that notation to the 2nd half of bar 63 and the entire bar 65. Cf. bars 67-69. category imprint: Differences between sources |
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b. 64
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE (→EE) a cautionary category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 66-69
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composition: Op. 27 No 2, Nocturne in D♭ major
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The four-bar slur in the left hand part was added in the proofing of FE (→EE). This is almost certainly one of the elements introduced by Chopin in order to make the notation more precise. category imprint: Differences between sources; Corrections & alterations |
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b. 66-71
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A, the only pedal mark in bars 66-71 is category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 67-69
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A, Chopin notated the extended values of d flat notes only in bar 68 (which was overlooked in GE1, and supplemented in #Wn2). In the proofing of FE (→EE) the composer added crotchet stems and dots to five notes, in the manner analogous to bars 63-65. category imprint: Differences between sources; Corrections & alterations issues: Inaccuracies in GE , Accompaniment changes , Authentic corrections of FE |