



Articulation, Accents, Hairpins
b. 24
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 25
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composition: Op. 27 No 2, Nocturne in D♭ major
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The return of the first theme of the Nocturne in bar 26 was initially – in A (→GE→FE→EE) – preceded with a category imprint: Differences between sources; Corrections & alterations issues: Annotations in FES , Annotations in FEFr , Authentic post-publication changes and variants , Annotations in FEJ |
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b. 27-28
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composition: Op. 27 No 2, Nocturne in D♭ major
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None of the versions found in the sources can be treated as fully reflecting Chopin's intention. The notation of bars 26-28 in A – including category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Errors in FE , Unclear hairpins in A |
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b. 29
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composition: Op. 27 No 2, Nocturne in D♭ major
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The accent of A, clearly a long one, was reproduced as a short accent in the editions. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 30
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE3 the dynamic hairpins were reversed, probably by analogy with the sign in bar 6. category imprint: Differences between sources issues: EE revisions |