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Issues : Authentic corrections of FE
b. 40-44
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A cresc. begins in bar 40 and reaches the end of bar 44. In GE the dashes are missing from bars 43-44, which is certainly a mistake, as Chopin reintroduced them in the proofing of FE (→EE). Moreover, in the same proofing he moved the beginning of the cresc. to bar 41. In EE the indication is written out in full, broken into syllables in bars 41-43. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in GE , Authentic corrections of FE |
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b. 41-43
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composition: Op. 27 No 2, Nocturne in D♭ major
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To highlight bass notes, in A Chopin used three category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Inaccuracies in GE , Authentic corrections of FE |
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b. 45-48
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A (→GE) pedalling stops in bar 45 (Chopin began to write it in again halfway through bar 57). In the proofing of FE (→EE) Chopin supplemented the markings in bars 45-52. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 49-52
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composition: Op. 27 No 2, Nocturne in D♭ major
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category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 52
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composition: Op. 27 No 2, Nocturne in D♭ major
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A has no accidentals before the 4th, 11th and 16th note of the 2nd half of the bar, which results in c3 and twice c flat4. GE has an added category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Authentic corrections of FE |