b. 8-9
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 8
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A Chopin placed the small quavers more or less in the middle between the g flat3 crotchet and the c2 semiquaver, not taking particular care to position that group in any relation to the semiquavers in the left hand. That notation was basically copied in the editions, yet in GE, and especially in FE the group was clearly moved towards the beginning of the bar, which could in itself suggest a faulty interpretation. category imprint: Differences between sources issues: Annotations in teaching copies , Synchronization markings , Annotations in FES |
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b. 8
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FED, Chopin marked the altered phrasing of a group of semiquavers in a manner that is typical of him. One often comes across vertical lines signifying change of phrasing in teaching copies, e.g. in Impromptu in G flat major Op. 51, bars 32, 37, 89 & 91. category imprint: Differences between sources |
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b. 8
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composition: Op. 27 No 2, Nocturne in D♭ major
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A bears the traces of correcting the fifth and the sixth semiquaver of the left hand from e flat1-g flat to d flat1-e flat. category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |
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b. 9
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composition: Op. 27 No 2, Nocturne in D♭ major
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Traces of erasing visible in A allow us to decipher the probable initial version of the accompaniment in that bar as: . category imprint: Corrections & alterations issues: Corrections in A , Accompaniment changes |