Issues : Authentic corrections of FE
b. 32
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composition: Op. 27 No 2, Nocturne in D♭ major
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We add cautionary naturals before b flat1 in the 2nd demisemiquaver triplet and e flat3 in the last one. The first sign was added as early as FE (→EE), probably by Chopin's request, the second one in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Authentic corrections of FE |
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b. 33
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composition: Op. 27 No 2, Nocturne in D♭ major
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A (→GE) has a flat1 as the 2nd and the 4th semiquaver. Chopin changed them to f1 in the proofing of FE (→EE). The relevant correction is also visible in GET. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Authentic corrections of FE , Annotations in GET |
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b. 35
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composition: Op. 27 No 2, Nocturne in D♭ major
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Before the penultimate semiquaver in A (→GE1) the raising b flat1 to b1 is missing. This obvious mistake was corrected in FE (→EE) and GE2. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE |
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b. 36
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A (→GE1) there are no naturals raising e flat to e and E flat to E. The accidentals were supplemented in the proofing of FE (→EE), yet the first one was mistakenly placed before the 6th note. GE2 has the correct text. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE |
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b. 39-40
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composition: Op. 27 No 2, Nocturne in D♭ major
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When correcting FE (→EE), Chopin added accents under bass notes in the middle of each of those bars. In EE, a vertical accent was used in bar 40, which is characteristic for that edition. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , Authentic post-publication changes and variants |