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b. 43
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composition: Op. 27 No 2, Nocturne in D♭ major
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When read literally, the slur in A begins from the second semiquaver. However, it is almost sure that Chopin had in mind the same slur as the one in bar 42. category imprint: Graphic ambiguousness issues: Inaccurate slurs in A |
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b. 43
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A (→GE1) there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , FE revisions |
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b. 43
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composition: Op. 27 No 2, Nocturne in D♭ major
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We remove the unnecessarily repeated double flat sign before the last but one semiquaver in the L.H. category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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The staccato wedges, quite clear in A, were interpreted as dots in GE (→FE→EE); what is more, FE (→EE) only has the first dot printed. We give both wedges of A and suggest adding an analogous wedge over the last chord of the bar. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE |
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b. 44
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composition: Op. 27 No 2, Nocturne in D♭ major
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In FE the crotchet g flat3 together with its grace note are moved to the left, so that the crotchet falls over the 2nd semiquaver of the left hand. category imprint: Source & stylistic information issues: Inaccuracies in FE |
lowering C to C flat. This patent inaccuracy was corrected in 
