Articulation, Accents, Hairpins
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the editors' opinion, the accents of A at the beginning of the first and the second half of the bar should be interpreted as the long ones. In GE (→FE→EE) ordinary short accents were put in those places. category imprint: Differences between sources |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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The beginning of the category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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The dot visible in A may be regarded as staccato sign, yet it is not quite certain, therefore we give it in brackets as a variant to be performed or omitted. category imprint: Graphic ambiguousness; Differences between sources |
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b. 12
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composition: Op. 27 No 2, Nocturne in D♭ major
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Instead of a wedge appearing in A, the editions have a dot printed here. Generally speaking, the engraver used dots only to indicate staccato throughout the entire Nocturne in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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In EE the staccato indication was overlooked. category imprint: Differences between sources issues: Inaccuracies in GE |
mark from the 5th quaver of the bar is doubtless in 
