Issues : Inaccuracies in GE
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the edited text we give the most natural reading of the slur of A. The slur in GE may be considered as its less natural interpretation. The concordance of the slur added in EE3 with the slur in A is accidental, as the corrections of that edition [EE] had GE as the starting point. In FE the last two triplets of the R.H. semiquavers were mistakenly placed over the three last notes of the left hand part. FES has signs written into the score that indicate the correct synchronisation of both hands. category imprint: Differences between sources issues: EE revisions , Errors in FE , Inaccuracies in GE |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
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The beginning of the category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 12
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composition: Op. 27 No 2, Nocturne in D♭ major
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category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 12
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composition: Op. 27 No 2, Nocturne in D♭ major
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In the edited text we preserve the notation of A, despite the fact that a slashed grace note represents the actual execution more accurately here. Chopin did not always adhere to the conventional rules of musical notation for grace notes. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 12
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composition: Op. 27 No 2, Nocturne in D♭ major
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Instead of a wedge appearing in A, the editions have a dot printed here. Generally speaking, the engraver used dots only to indicate staccato throughout the entire Nocturne in GE (→FE→EE). category imprint: Differences between sources issues: Inaccuracies in GE |
mark from the 5th quaver of the bar is doubtless in 
