Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 27 No 2, Nocturne in D♭ major
We discuss the difficulties with the interpretation of slurs in A in its characteristics. The musically obvious situations in bars 5-6 and 10-11 illustrate Chopin's tendency to imprecisely finish slurs on their right-hand side (this is visible in many slurs in that autograph); the same applies to both slurs in the left hand in bar 1. It is also worth noting that Chopin's handwriting at the beginning of the Nocturne is clearly left-slanted.
category imprint: Graphic ambiguousness; Differences between sources
issues: Inaccurate slurs in A
notation: Slurs
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