Issues : EE inaccuracies

b. 188

composition: Op. 16, Rondo in E♭ major

Hairpin in FE (→GE,EE), literal reading

Long accent in FE (→GE,EE), contextual interpretation

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The almost half-bar long ​​​​​​​ hairpin in FE (→GE,EE) should be undoubtedly interpreted as a long accent – cf. a distinct accent 2 bars later.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 190

composition: Op. 16, Rondo in E♭ major

Short accent in FE (→GE,EE)

Long accent suggested by the editors

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According to us, the short accent in FE (→GE,EE) is an inaccuracy of the engraver (cf. bar 188).

category imprint: Editorial revisions

issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 241-242

composition: Op. 16, Rondo in E♭ major

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In FE (→EE1EE2), the beginning of a slur continued in the next bar in a new line in the R.H. is missing. The mistake was corrected in GE. In turn, in EE3, the notation is ambiguous – the reviser added a separate slur for the triplet at the end of bar 241 and left the extended beginning of the slur in bar 242.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions , EE inaccuracies , Uncertain slur continuation , Errors repeated in EE

b. 248

composition: Op. 16, Rondo in E♭ major

Continuous slur in FE

New slur in GE & EE

category imprint: Differences between sources

issues: GE revisions , EE inaccuracies

b. 262

composition: Op. 16, Rondo in E♭ major

Staccato dot in FE (→GE) & EE3

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In EE1 (→EE2), the engraver overlooked the staccato dot over a2. The mark was added by the reviser of EE3.

category imprint: Differences between sources

issues: EE revisions , EE inaccuracies