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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 61-62

composition: Op. 16, Rondo in E♭ major

in FE (→GE)

​​​​​​​in EE

​​​​​​​suggested by the editors

..

Small differences concerning the range of the  mark between the sources are insignificant in this context; it also applies to the differences between analogous bars. In the main text, we suggest a hairpin modelled after the first appearance of this phrase (bars 53-54) – it is likely that Chopin wrote the mark most carefully for the first time.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 71

composition: Op. 16, Rondo in E♭ major

Hairpin from a1 in FE (→EE)

Hairpin from b1 in GE

..

A slightly earlier beginning of the  hairpin is probably a routine revision of GE, where marks were often adjusted to metric structures.

category imprint: Differences between sources

issues: GE revisions

b. 77-78

composition: Op. 16, Rondo in E♭ major

Hairpin in FE (→EE)

Hairpin in GE

Hairpin suggested by the editors

..

The differences in the range of the  hairpin is probably a result of the engravers' inaccuracy. In the main text, we give a hairpin modelled after the mark in analogous bars 53-54.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies

b. 84

composition: Op. 16, Rondo in E♭ major

Long accent in FE, contextual interpretation

​​​​​​​ hairpin in GE

Short accent in EE

..

The mark in FE paired with  denotes a long accent in this context. A slight prolongation of the mark in GE made it clearly a  hairpin. EE correctly considered the mark to be an accent and reproduced it as a standard, short accent. The same applies to bar 88. 

category imprint: Interpretations within context; Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE

b. 85

composition: Op. 16, Rondo in E♭ major

2 accents in FE (→GE,EE)

1 accent in GE

..

In GE, the reviser abandoned two separate accents for the last crotchet in favour of one mark for both hands. There is a similar situation in bar 237.

category imprint: Differences between sources

issues: GE revisions