Pitch
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b. 48
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composition: Op. 16, Rondo in E♭ major category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Omission of current key accidentals , Errors repeated in GE , Errors repeated in EE |
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b. 49
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composition: Op. 16, Rondo in E♭ major
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The f3 note, present in FE (→GE,EE) as the 6th semiquaver of the bar, interferes with the regularity of the figuration and is most probably erroneous. It is confirmed by a most probably Chopinesque correction in FEJ. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Errors in EE , Errors in GE , Annotations in FEJ |
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b. 55
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composition: Op. 16, Rondo in E♭ major
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In the sources, the octave sign does not encompass the grace note, as a result of which, when interpreted literally, it is a b category imprint: Interpretations within context issues: Errors in FE , Errors repeated in GE , Errors repeated in EE |
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b. 70
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composition: Op. 16, Rondo in E♭ major
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At the beginning of the bar, GE contains a c2 instead of f2 in the top voice in the R.H. A distorted melodic progression and a superfluous hold of c2 in this version prove the engraver's mistake. category imprint: Differences between sources issues: Errors in GE |
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b. 70
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary category imprint: Editorial revisions |
lowering c3 to c
3 was overlooked on the 2nd quaver of the bar in 
before e