



b. 156-157
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composition: Op. 16, Rondo in E♭ major
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The differing dynamic markings appearing in identical motifs – category imprint: Interpretations within context; Differences between sources issues: Long accents , EE inaccuracies |
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b. 159
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composition: Op. 16, Rondo in E♭ major
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A hairpin in all sources is a possible inaccuracy of the engraver – in similar bar 167, the length of the mark clearly points to a long accent. category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 160-161
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composition: Op. 16, Rondo in E♭ major
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The absence of accents – cf. analogous bars 152-153 – certainly does not mean that the figurations in these bars are supposed to be less brilliant, while the shape of the motifs – less vivid. Therefore, according to us, it is an inaccuracy of notation, which we remove in the main text. category imprint: Editorial revisions |
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b. 163-164
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composition: Op. 16, Rondo in E♭ major
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Leading the L.H. slur until the beginning of bar 164 is much less justified than in the case of the R.H. slur due to the over two-octave f1-E category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 163
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary category imprint: Differences between sources; Editorial revisions issues: GE revisions |