b. 218
|
composition: Op. 22, Polonaise
..
Just like in b. 74, of which the discussed bar is a literal repetition, in the main text we correct the unquestionably erroneous slurs of FE (→GE). An identical correction was introduced in EE. category imprint: Editorial revisions |
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b. 219
|
composition: Op. 22, Polonaise
..
Just like in b. 75, the sources are lacking in the raising b to b, which is a patent inaccuracy. category imprint: Interpretations within context; Editorial revisions issues: Inaccuracies in FE , Errors repeated in GE , Errors repeated in EE |
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b. 220
|
composition: Op. 22, Polonaise
..
Just like in b. 76, the dyad of the bottom voice (e1-a1) in FE is a crotchet. The patent mistake was corrected both in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
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b. 220
|
composition: Op. 22, Polonaise
..
The version of GE, although harmonically possible, must be a mistake. It is proven by the version of FE (→EE), compliant with the incontestable text of analogous b. 76. category imprint: Differences between sources issues: Errors in GE |
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b. 221
|
composition: Op. 22, Polonaise
..
In the main text we add the indication Solo, indispensable after Tutti, which appeared two bars earlier – cf. b. 77. category imprint: Editorial revisions |