b. 209
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composition: Op. 22, Polonaise
..
Just like in b. 65, of which the discussed bar is a literal repetition, the shift of the mark in GE2 (→GE3) is an arbitrary revision. See b. 25. category imprint: Differences between sources issues: GE revisions |
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b. 214-219
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composition: Op. 22, Polonaise
..
From b. 186 to b. 219, the text of FE, encompassing pp. 17-18, is identical to b. 42-75 (pp. 9-10), since it was only two plates that were used to print these four pages in FE, out of which each was provided with double pagination. category imprint: Source & stylistic information |
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b. 216
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composition: Op. 22, Polonaise
..
Just like in b. 72, in the main text we suggest adding a asterisk in accordance with the harmonic content. The mark was also added in EE and GE2 (→GE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 217-218
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composition: Op. 22, Polonaise
..
In the main text we add a cautionary before b2 in b. 73. The accidental was already added in GE as well as in EE2. In addition, we add the flats (overlooked in FE) lowering c1 to c1 in b. 73 and c to c in b. 74. The former was added both in GE and EE, whereas the latter only in GE and EE2. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE |
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b. 217-218
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composition: Op. 22, Polonaise
category imprint: Differences between sources issues: EE revisions |