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b. 209

composition: Op. 22, Polonaise

 simultaneously with chord in FE (→GE1,EE)

after chord in GE2 (→GE3)

..

Just like in b. 65, of which the discussed bar is a literal repetition, the shift of the  mark in GE2 (→GE3) is an arbitrary revision. See b. 25.

category imprint: Differences between sources

issues: GE revisions

b. 214-219

composition: Op. 22, Polonaise

..

From b. 186 to b. 219, the text of FE, encompassing pp. 17-18, is identical to b. 42-75 (pp. 9-10), since it was only two plates that were used to print these four pages in FE, out of which each was provided with double pagination.

category imprint: Source & stylistic information

b. 216

composition: Op. 22, Polonaise

No marking in FE (→GE1)

in EE & GE2 (→GE3)

[] suggested by the editors

..

Just like in b. 72, in the main text we suggest adding a  asterisk in accordance with the harmonic content. The mark was also added in EE and GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 217-218

composition: Op. 22, Polonaise

..

In the main text we add a cautionary  before b2 in b. 73. The accidental was already added in GE as well as in EE2. In addition, we add the flats (overlooked in FE) lowering c1 to c1 in b. 73 and c to c in b. 74. The former was added both in GE and EE, whereas the latter only in GE and EE2.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE

b. 217-218

composition: Op. 22, Polonaise

Vertical accents in EE

Horizontal accents in FE (→GE)

..

Arbitrary changes of accents to vertical ones are typical of EE – cf. b. 47-50

category imprint: Differences between sources

issues: EE revisions