mUltimate Chopin

Op. 22, Polonaise

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 186-187

composition: Op. 22, Polonaise

..

From b. 186 to b. 219, the text of FE, encompassing pp. 17-18, is identical with b. 42-75 (pp. 9-10), since it was only two plates that were used to print these four pages in FE, out of which each was provided with double pagination.

category imprint: Source & stylistic information

b. 186

composition: Op. 22, Polonaise

a-e1 in FE (→GE) & EE2

a in EE1
..

Like in b. 42, of which the discussed bar is a literal repetition, the missing e1 is probably a revision of EE1. The correct text was restored in EE2, probably on the basis of comparison with GE1.

category imprint: Differences between sources

issues: EE revisions

b. 187

composition: Op. 22, Polonaise

No mark in FE (→GE)

Wedge on b2 in EE
..

Like in b. 43, of which the discussed bar is a literal repetition, in the main text we add a wedge next to b2. The mark was also added in EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 188-201

composition: Op. 22, Polonaise

..

From b. 186 to b. 219, the text of FE, encompassing pp. 17-18, is identical with b. 42-75 (pp. 9-10), since it was only two plates that were used to print these four pages in FE, out of which each was provided with double pagination.

category imprint: Source & stylistic information

b. 189

composition: Op. 22, Polonaise

..

The 1st semiquaver in the 5th triplet in GE2 is an erroneous a2 (with repeated ). The mistake was corrected in GE3.

category imprint: Interpretations within context; Differences between sources

issues: Errors in GE , GE revisions