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b. 164
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composition: Op. 22, Polonaise
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The absence of the tie of f in EE must be a mistake, perhaps repeated after a proof copy of FE not including the last corrections. category imprint: Differences between sources issues: Errors in EE , Authentic corrections of FE |
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b. 164
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composition: Op. 22, Polonaise
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The absence of a category imprint: Differences between sources issues: Errors in EE |
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b. 169
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composition: Op. 22, Polonaise
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The category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 170-172
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composition: Op. 22, Polonaise
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One can have doubts whether holding pedal as long as to the last quaver in b. 170 and 172, like in FE, actually corresponds to Chopin's intention. The effect of the dominant and tonic chords temporarily overlapping could have been intentional; however, according to us, taking into account the pedalling markings of analogous b. 64 and 66, which are shorter and compliant with the harmonic course, one can assume that the markings in the discussed bars may be inaccurate. Due to this reason, in the main text we move the category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
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b. 171
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composition: Op. 22, Polonaise
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Just like in b. 27, the missing category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , GE revisions |