mUltimate Chopin

Op. 22, Polonaise

Text Compare Notes Sources Description

Issues : GE revisions

b. 19

composition: Op. 22, Polonaise

..

In the main text we add a cautionary  before a2. The accidental was also added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 25

composition: Op. 22, Polonaise

 simultaneously with chord in FE (→GE1,EE)

after chord in GE2 (→GE3)
..

In the main text we put the  asterisk under the 2nd beat of the bar, in accordance with FE (→EE). The fact that the mark was placed later in GE2 (→GE3) could have been an attempt to reconcile the markings of FE in this bar with the ones in analogous b. 63.

category imprint: Differences between sources

issues: GE revisions

b. 26

composition: Op. 22, Polonaise

..

In the main text we add a cautionary  before b and a  before f3. The accidentals were also added in GE3.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 27

composition: Op. 22, Polonaise

No marking in FE (→GE1)

 on 2nd beat in EE

in GE2 (→GE3)

[] suggested by the editors
..

The missing  asterisk must be considered an inaccuracy, hence in the main text we suggest adding this mark after b. 25. The same applies to analogous b. 171. A mark was added in EE as well as in GE2 (→GE3), although slightly moved.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 31

composition: Op. 22, Polonaise

Long accent in FE

in EE

in GE1
..

The mark, which bears all characteristics of a long accent in FE, was interpreted in the remaining editions as a  hairpin. It is evidenced by the fact that the mark was being extended, which is particularly clear in GE2 (→GE3) and EE; the aim could have been to partially adjust the mark to the longer  mark in the preceding bar.

category imprint: Differences between sources

issues: Long accents , EE revisions , Inaccuracies in GE , GE revisions