Page: 
Source: 
p. 4, b. 55-69
p. 1, b. 1-27
p. 2, b. 28-40
p. 3, b. 41-54
p. 4, b. 55-69
p. 5, b. 70-84
p. 6, b. 85-97
p. 7, b. 98-110
p. 8, b. 111-125
p. 9, b. 126-138
p. 10, b. 139-148
p. 11, b. 149-159
p. 12, b. 160-173
p. 13, b. 174-187
p. 14, b. 188-201
p. 15, b. 202-213
p. 16, b. 214-226
p. 17, b. 227-238
p. 18, b. 239-252
p. 19, b. 253-264
p. 20, b. 265-279
Main text
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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FE - French edition
FE1 - First French edition
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Changed impression of EE1
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  b. 63

 on 4th quaver in FE (→GE1,EE)

between quavers in GE2 (→GE3)

 on 3rd quaver suggested by the editors

According to us, it is likely that the  asterisk was accidentally placed a quaver too far in FE. It is suggested by a comparison with analogous bars – wherever a  mark is present (b. 25, 65 and 169), it is placed on the 3rd quaver of the bar. A longer pedal, although harmonically correct, is devoid of the energy emphasising the polonaise rhythm, which is obtained by releasing the pedal on the 3rd quaver. Taking into account the above arguments, in the main text we put  under the 3rd quaver of the bar. The change of the position of the mark in GE2 (→GE3) was probably an attempt to find a compromise between the two versions present in FE.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Pedalling

Missing markers on sources: EE2, EE1, FE1, FED, GE1, GE1a, GE2, GE3