mUltimate Chopin

Op. 22, Polonaise

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 85

composition: Op. 22, Polonaise

  in FE (→EE)

No markings in GE
..

The absence of the first    is most probably a mistake of GE.

category imprint: Differences between sources

issues: Errors in GE

b. 87

composition: Op. 22, Polonaise

Fingering written into FED

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 87

composition: Op. 22, Polonaise

..

In EE1 the quintuplet is written with semiquavers, which is a mistake, corrected then in EE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in EE

b. 88

composition: Op. 22, Polonaise

Three-note chord in FE (→GE)

Four-note chord in EE
..

The version of EE is most probably erroneous – it could be, e.g. an unfinished correction of a Terzverschreibung, in which the correct note was added without removing the erroneous one. The additional note distorts the consistent and perfectly sounding sequence of the top three accompaniment voices.

category imprint: Differences between sources

issues: Errors in EE

b. 89

composition: Op. 22, Polonaise

No markings in FE (→GE,EE)

[ ] suggested by the editors
..

In the main text we suggest adding pedalling markings after analogous b. 85.

category imprint: Editorial revisions