b. 38
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composition: Op. 19, Bolero
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In GE there is no cautionary before g. Similarly, in bar 47, which suggests that both naturals were added in the last phase of proofreading of FE. category imprint: Differences between sources issues: Inaccuracies in GE , Cautionary accidentals , FE revisions |
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b. 38-39
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composition: Op. 19, Bolero
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In FE one can see traces of proofreading of an earlier, inaccurate slur, encompassing four semiquavers only. This too short slur is present also in GE, which most probably means that the correction in FE was performed in the last stage of proofreading. The absence of the slur in EE1 resulted from the engraver's oversight, corrected in EE2 (→EE3), most probably on the basis of comparison with GE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , EE inaccuracies , Authentic corrections of FE |
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b. 40-49
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composition: Op. 19, Bolero
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In EE2 (→EE3), both here and in analogous bar 49, the reviser added a slur for the 2nd and 3rd quavers in the L.H. – probably under the influence of a similar slurring in bars 34-36. category imprint: Differences between sources issues: EE revisions |
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b. 43-44
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composition: Op. 19, Bolero
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The engraver of EE1 overlooked the wedges for the first quavers in bars 43 and 44. The marks were added in EE2 (→EE3). category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 46-47
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composition: Op. 19, Bolero
category imprint: Differences between sources issues: EE revisions , Errors in EE |