Verbal indications
b. 353
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text, we suggest adding an indication returning the regular course of music after a temporary halt. In this section of A, Chopin omitted a number of agogic markings, including all a tempo markings – cf. bars 313, 317 and 325. category imprint: Editorial revisions |
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b. 370-376
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE the signs are written very carelessly in these bars – the sign in bar 370 points to the 3rd beat of the bar; the remaining ones (except for bar 373, in which FE does not have a ) fall between the 1st and 2nd beats of the bar (the last three are closer to the 1st beat). Since there are no doubts that the shifts are of a random nature, we reproduce them only in the version "transcription." category imprint: Graphic ambiguousness; Source & stylistic information issues: EE revisions , Inaccuracies in FE |
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b. 373
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composition: Op. 21, Concerto in F minor, Mvt III
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GE1 (→FE) overlooked , which is a patent mistake. The sign was added in GE2, whereas in EE – and an accent (see bars 369-375), same as in the adjacent bars. category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 393
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: Errors in FE |
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b. 397-398
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composition: Op. 21, Concerto in F minor, Mvt III
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The marking was placed in FE before the chord on the 3rd beat in bar 397. This kind of placement is not something unusual, yet, together with the small gaps between the notes, it could have misled the engraver or reviser of EE. Repetition of in bar 389, also before the c2 minim, suggests that such a placement was considered to be more likely due to the absence of any accents on these minims, differently than in analogous bars 53-54 and 57-58, in which EE has a and bars 401-402, which include accents. category imprint: Differences between sources issues: EE revisions , EE inaccuracies |