Verbal indications
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b. 405
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composition: Op. 21, Concerto in F minor, Mvt III
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The category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 406
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composition: Op. 21, Concerto in F minor, Mvt III
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The indication of A may be considered to be an abbreviation or to be even unfinished – Morch includes Cor de Signal (written by the copyist's hand) in this place. The extended indication in GE1 (→FE→EE, →GE2) is probably a result of proofreading, possibly Chopinesque – the dot after 'Cor' suggests that the word was initially an entire indication, in accordance with A. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 429-432
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composition: Op. 21, Concerto in F minor, Mvt III
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Ignored dashes marking the range of cresc. is a frequent inaccuracy of the first Chopinesque editions. The fact that GE2 added dashes only in bar 429 may be explained by an inaccuracy (it is the last bar on the page in GE2 – cf. bars 469-474). However, further dashes may have been thought to be contrary to the category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 441-445
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composition: Op. 21, Concerto in F minor, Mvt III
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The omission of the dashes marking the range of crescendo is probably an inaccuracy of FE (→EE), although it cannot be excluded that it was in GE1 that they were initially omitted, to be added in the last phase of proofreading. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 446-448
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we reproduce the elaborate notation of A. category imprint: Differences between sources issues: Inaccuracies in FE |
marking is the third element of the ending of this Tutti added by Chopin in the proofreading of 
in this place, which Chopin gave in the piano part only in bar 485 and probably in bar 511.
hairpins.
