Articulation, Accents, Hairpins
|
b. 441
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The wedge written in A was inaccurately reproduced in GE as a dot. The omission of the sign in FE (→EE) must be a mistake. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Wedges |
|||||||||||
|
b. 449
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The apparent wedge of A was inaccurately reproduced in GE1 as a dot. Moreover, it was placed so close to the octave sign that it was then overlooked both in FE (→EE) and GE2. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Errors in GE |
|||||||||||
|
b. 450
|
composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
|||||||||||
|
b. 450-451
|
composition: Op. 21, Concerto in F minor, Mvt III
..
Same as in the entire Concerto, the wedge of A at the beginning of bar 450 was reproduced in the editions as a dot. In turn, the absence of the staccato mark at the beginning of bar 451 must be considered an inaccuracy of A (→GE1→FE→EE). A sign – a dot – was added in GE2, most probably on the basis of comparison with analogous bars. Therefore, due to the same reason, we add a wedge in the main text. category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in GE , GE revisions , Wedges |
|||||||||||
|
b. 452
|
composition: Op. 21, Concerto in F minor, Mvt III
..
We regard the absence of the accent as Chopin's oversight, since the mark is present in the three remaining analogous bars – bars 412, 420 and 460. EE added a category imprint: Differences between sources; Editorial revisions issues: EE revisions |
in 