Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 450-451

Wedge in A

Dot in GE1 (→FEEE)

2 dots in GE2

2 wedges suggested by the editors

Same as in the entire Concerto, the wedge of A at the beginning of bar 450 was reproduced in the editions as a dot. In turn, the absence of the staccato mark at the beginning of bar 451 must be considered an inaccuracy of A (→GE1FEEE). A sign – a dot – was added in GE2, most probably on the basis of comparison with analogous bars. Therefore, due to the same reason, we add a wedge in the main text.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE, GE revisions, Wedges

notation: Articulation, Accents, Hairpins

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