Articulation, Accents, Hairpins
|
b. 433
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The dot in EE is most probably a mistake of the engraver who considered the staccato mark to be the dot ending the Ped. abbreviation in FE. category imprint: Differences between sources issues: Errors in EE |
|||||
|
b. 433-438
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The shape of the accents in A, which are not very big, is generally typical of long accents (except for the sign in bar 437). However, in this case, it is understandable that the editions reproduced them as short accents. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
|||||
|
b. 439
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The accent in A may be interpreted as both short and long. According to us, the use of a short accent is more likely – the top, shorter arm, written first, seems to convey Chopin's intention better. However, the sign was interpreted in such a way only in GE2. category imprint: Differences between sources issues: Long accents , GE revisions |
|||||
|
b. 439
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The accent added on the d1 minim in EE is most probably a revision (unification with the previous bars), although due to the similarity of the bars, a mistake cannot be excluded. category imprint: Differences between sources issues: EE revisions |
|||||
|
b. 440
|
composition: Op. 21, Concerto in F minor, Mvt III
..
category imprint: Differences between sources issues: Errors in FE |
