Articulation, Accents, Hairpins
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b. 327-329
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composition: Op. 21, Concerto in F minor, Mvt III
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The wedges in bars 327 and 329 were reproduced in GE (→FE→EE) as dots; at the same time, the sign in bar 327 was overlooked in FE (→EE), perhaps due to the erroneous slur. category imprint: Differences between sources issues: Errors in FE , Inaccuracies in GE , Wedges |
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b. 328
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: Errors in FE |
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b. 334
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composition: Op. 21, Concerto in F minor, Mvt III
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The accent in A is clearly longer than the signs in, e.g. the previous two bars, yet in the editions it was reproduced as a short accent. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 334
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composition: Op. 21, Concerto in F minor, Mvt III
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The absence of the staccato dot in GE1 (→FE→EE) must be an oversight, corrected in GE2 on the basis of A. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 336
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composition: Op. 21, Concerto in F minor, Mvt III
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The long accent on the 1st beat of the bar in A was reproduced in GE1 inaccurately, by shortening the sign and placing it closer to the 2nd beat of the bar. As a result, FE (→EE) include an accent on the 2nd beat of the bar, which is a mistake. GE2 corrected the placement of the sign, but not its length. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE , GE revisions |
