|
b. 405
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
|||||
|
b. 406
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The indication of A may be considered to be an abbreviation or to be even unfinished – Morch includes Cor de Signal (written by the copyist's hand) in this place. The extended indication in GE1 (→FE→EE, →GE2) is probably a result of proofreading, possibly Chopinesque – the dot after 'Cor' suggests that the word was initially an entire indication, in accordance with A. category imprint: Differences between sources issues: Authentic corrections of GE |
|||||
|
b. 406
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we omit category imprint: Editorial revisions issues: Cautionary accidentals |
|||||
|
b. 407
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The accent in A seems to be short; however, when the note head of the minim had not been set in bold type yet, the impression could have been different. Therefore, it may be possible that it is actually the accent in GE1 (→FE), clearly longer than the accents in bars 401-402, that reproduces the proportions between the accent and the note head before it was set in bold type, hence written by Chopin's hand. Since a long accent seems to be more appropriate in this case, in the main text we give a sign in the form interpreted by GE1. category imprint: Differences between sources issues: Long accents , GE revisions |
|||||
|
b. 409-419
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A, the slurs over each of the descending figures in the R.H. in bars 409, 410, 417 and 418 reach the c3-f3 fourth at the beginning of the next bar (the first of them, slightly shorter, is an exception, yet in this case Chopin certainly had a longer slur in mind, too, which is proved by the slur of the original crossed out notation of bars 409-411). In spite of this, in GE1 (→FE→EE) all four slurs end with the last quaver in these bars. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccurate slurs in A , GE revisions , Inaccuracies in A |
marking is the third element of the ending of this Tutti added by Chopin in the proofreading of 
in this place, which Chopin gave in the piano part only in bar 485 and probably in bar 511.
before a1 appearing in all the sources.
