Pitch
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b. 52
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there are no accidentals before the 11th semiquaver (in both hands), as a result of which both here and two notes later one should read an a(1). Chopin's patent oversight was corrected in all editions. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , GE revisions , Cautionary accidentals , Last key signature sign |
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b. 53-63
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composition: Op. 21, Concerto in F minor, Mvt II
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Harmonic accompaniment written into FES – see bars 45-52. After selecting this version, it may be necessary to choose relevant versions also in bar 53 (slurs and accents), 53-54 (staccato signs), 54, 56-57, 57-61, 62 and 63 (slurs). category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants |
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b. 54
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composition: Op. 21, Concerto in F minor, Mvt II
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In A (→GE1→FE) there are cautionary flats before the 2nd demisemiquaver. The superfluous in this context signs were removed in EE and GE2. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 55
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composition: Op. 21, Concerto in F minor, Mvt II
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In A the category imprint: Source & stylistic information issues: Accidental below/above the note |
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b. 55
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there are no naturals raising g category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of GE , Last key signature sign |
before the 12th semiquaver – g(1) – is written in 
before f
3 is written at the pitch of b