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Issues : GE revisions
b. 25
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composition: Op. 21, Concerto in F minor, Mvt II
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The category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 26-27
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we give the pedalling of A, since the authenticity of the addition introduced in GE1 (→FE→EE) is uncertain. The doubts are raised by an inaccurate alignment of indications in this bar, the absence of the category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 26-28
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composition: Op. 21, Concerto in F minor, Mvt II
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Omission of staccato dots under (over) the bass notes is certainly a result of inaccuracy of the engraver of GE1 (→FE→EE). category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 29-31
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composition: Op. 21, Concerto in F minor, Mvt II
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The slurs in A begin from the 2nd quaver of each half-bar figure (only the slur in bar 31 may raise doubts). It is unclear how the change of their range occurred in GE1 (→FE→EE): in the case of a few of them one may assume extension of slurs in print (adding slurs in the 2nd half of bar 31 was a patent intervention). Not being certain whether the changes were performed in consultation with Chopin, in the main text we preserve the slurring of A (restored in GE2). category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |
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b. 29
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composition: Op. 21, Concerto in F minor, Mvt II
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This time (cf. bar 10) the flat overlooked by Chopin in A was added already in GE1 (→FE→EE, →GE2). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |