FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 26-27

Pedalling in A

Pedalling in GE1

Pedalling in FE (→EE)

Pedalling in GE2

In the main text we give the pedalling of A, since the authenticity of the addition introduced in GE1 (→FEEE) is uncertain. The doubts are raised by an inaccurate alignment of indications in this bar, the absence of the  sign in the previous one and a clumsy arrangement of the 1st beat of the bar. If, e.g. a sequence of  signs at the transition between bars 26 and 27 was originally printed as a whole in bar 27 (considering the 2nd quaver to be the beginning of the bar), Chopin could have added only the most sonically striking mistake, which was the omission of the  sign at the beginning of bar 27.
The version of FE, despite being apparently closer to the notation of A than GE1, was most probably forced by the dense arrangement of the text. In GE2 the additional change of pedal was removed, however, the placement of the previous signs was not adjusted.  

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Errors in GE, GE revisions

notation: Pedalling

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