Issues : Inaccuracies in FE
|
b. 9-17
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The slurs of A in bars 9-11 and 17 (the first), although some of them are written inaccurately (e.g., in bar 9), begin from the 2nd quaver of each half of the bar. In GE1 it is only the slurs in bar 11 that were reproduced in such a way. In FE (→EE) it is the only correct slurs that were considered inaccurate, leading all signs from the 1st quaver. The slurs of A were interpreted correctly only in GE2. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
||||||||
|
b. 11-12
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The separated slurs in FE (→EE) are most probably an inaccuracy repeated after the proof copy of GE1. In the very GE1 (→GE2) the slur was corrected (combined) in the last phase of proofreading, perhaps by Chopin. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Authentic corrections of GE |
||||||||
|
b. 22
|
composition: Op. 21, Concerto in F minor, Mvt II
..
In A the naturals raising d category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of GE |
||||||||
|
b. 23
|
composition: Op. 21, Concerto in F minor, Mvt II
..
Three accents in A are of a different length: the first can be safely assumed to be long, yet the classification of the next two is unclear. We assume that they are long accents, since there are no musical reasons for them to be equal (actually, they are much bigger than the accent in the R.H. in the previous bar). This is how they were interpreted in GE1, which, however, was not reproduced both in FE and GE2. EE used vertical accents, which is quite a frequent revision in that edition. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE |
||||||||
|
b. 24
|
composition: Op. 21, Concerto in F minor, Mvt II
..
The part of the passage performed with the L.H. is provided with three slurs in A, out of which GE1 reproduced only two and FE (→EE) – one. It is hard to assume that Chopin would have commissioned to delete correctly printed slurs: most probably they were overlooked by the engravers. Both overlooked slurs were a part of the indication of the triplets, with the figure 3 related to the slur having also been "lost" in FE (→EE) (the figure 6 on the 2nd beat of the bar was overlooked too). In the main text we reproduce the notation of A. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE |
notes to d are written only on the 4th beat of the bar. In spite of this, there are no doubts that d is required in the entire 2nd half of the bar. In 
raising d
